I had time in the Fijis to compare my chronometer with two other chronometers. Two weeks previous, at Pago Pago, in Samoa, I had asked my captain to compare our chronometer with the chronometers on the American cruiser, the Annapolis. This he told me he had done—of course he had done nothing of the sort; and he told me that the difference he had ascertained was only a small fraction of a second. He told it to me with finely simulated joy and with words of praise for my splendid time-keeper. I repeat it now, with words of praise for his splendid and unblushing unveracity. For behold, fourteen days later, in Suva, I compared the chronometer with the one on the Atua, an Australian steamer, and found that mine was thirty-one seconds fast. Now thirty-one seconds of time, converted into arc, equals seven and one-quarter miles. That is to say, if I were sailing west, in the night-time, and my position, according to my dead reckoning from my afternoon chronometer sight, was shown to be seven miles off the land, why, at that very moment I would be crashing on the reef. Next I compared my chronometer with Captain Wooley’s. Captain Wooley, the harbourmaster, gives the time to Suva, firing a gun signal at twelve, noon, three times a week. According to his chronometer mine was fifty-nine seconds fast, which is to say, that, sailing west, I should be crashing on the reef when I thought I was fifteen miles off from it. Life that lives is life successful, and success is the breath of its nostrils. The achievement of a difficult feat is successful adjustment to a sternly exacting environment. The more difficult the feat, the greater the satisfaction at its accomplishment. Thus it is with the man who leaps forward from the springboard, out over the swimming pool, and with a backward half-revolution of the body, enters the water head first. Once he leaves the springboard his environment becomes immediately savage, and savage the penalty it will exact should he fail and strike the water flat. Of course, the man does not have to run the risk of the penalty. He could remain on the bank in a sweet and placid environment of summer air, sunshine, and stability. Only he is not made that way. In that swift mid-air moment he lives as he could never live on the bank.!

Then came the rush of years, filled brimming with projects, achievements, and failures; but Typee was not forgotten, and here I was now, gazing at its misty outlines till the squall swooped down and the Snark dashed on into the driving smother. Ahead, we caught a glimpse and took the compass bearing of Sentinel Rock, wreathed with pounding surf. Then it, too, was effaced by the rain and darkness. We steered straight for it, trusting to hear the sound of breakers in time to sheer clear. We had to steer for it. We had naught but a compass bearing with which to orientate ourselves, and if we missed Sentinel Rock, we missed Taiohae Bay, and we would have to throw the Snark up to the wind and lie off and on the whole night—no pleasant prospect for voyagers weary from a sixty days’ traverse of the vast Pacific solitude, and land-hungry, and fruit-hungry, and hungry with an appetite of years for the sweet vale of Typee. It is told that long ago, one Maui, the son of Hina, lived on what is now known as West Maui. His mother, Hina, employed her time in the making of kapas. She must have made them at night, for her days were occupied in trying to dry the kapas. Each morning, and all morning, she toiled at spreading them out in the sun. But no sooner were they out, than she began taking them in, in order to have them all under shelter for the night. For know that the days were shorter then than now. Maui watched his mother’s futile toil and felt sorry for her. He decided to do something—oh, no, not to help her hang out and take in the kapas. He was too clever for that. His idea was to make the sun go slower. Perhaps he was the first Hawaiian astronomer. At any rate, he took a series of observations of the sun from various parts of the island. His conclusion was that the sun’s path was directly across Haleakala. Unlike Joshua, he stood in no need of divine assistance. He gathered a huge quantity of coconuts, from the fibre of which he braided a stout cord, and in one end of which he made a noose, even as the cow-boys of Haleakala do to this day. Next he climbed into the House of the Sun and laid in wait. When the sun came tearing along the path, bent on completing its journey in the shortest time possible, the valiant youth threw his lariat around one of the sun’s largest and strongest beams. He made the sun slow down some; also, he broke the beam short off. And he kept on roping and breaking off beams till the sun said it was willing to listen to reason. Maui set forth his terms of peace, which the sun accepted, agreeing to go more slowly thereafter. Wherefore Hina had ample time in which to dry her kapas, and the days are longer than they used to be, which last is quite in accord with the teachings of modern astronomy.

A limited vocabulary means that each word shall be overworked. Thus, fella, in bêche de mer, means all that piecee does and quite a bit more, and is used continually in every possible connection. Another overworked word is belong. Nothing stands alone. Everything is related. The thing desired is indicated by its relationship with other things. A primitive vocabulary means primitive expression, thus, the continuance of rain is expressed as rain he stop. Sun he come up cannot possibly be misunderstood, while the phrase-structure itself can be used without mental exertion in ten thousand different ways, as, for instance, a native who desires to tell you that there are fish in the water and who says fish he stop. It was while trading on Ysabel island that I learned the excellence of this usage. I wanted two or three pairs of the large clam-shells (measuring three feet across), but I did not want the meat inside. Also, I wanted the meat of some of the smaller clams to make a chowder. My instruction to the natives finally ripened into the following “You fella bring me fella big fella clam—kai-kai he no stop, he walk about. You fella bring me fella small fella clam—kai-kai he stop.” Tautai-taora is the name for stone-fishing, tautai meaning a “fishing instrument.” And taora meaning “thrown.” But tautai-taora, in combination, means “stone-fishing,” for a stone is the instrument that is thrown. Stone-fishing is in reality a fish-drive, similar in principle to a rabbit-drive or a cattle-drive, though in the latter affairs drivers and driven operate in the same medium, while in the fish-drive the men must be in the air to breathe and the fish are driven through the water. It does not matter if the water is a hundred feet deep, the men, working on the surface, drive the fish just the same. There was no way by which the great world could intrude. Our bell rang the hours, but no caller ever rang it. There were no guests to dinner, no telegrams, no insistent telephone jangles invading our privacy. We had no engagements to keep, no trains to catch, and there were no morning newspapers over which to waste time in learning what was happening to our fifteen hundred million other fellow-creatures.